Attention beer drinkers: Hops are not just about bitterness

After some recent Facebook chatter about craft beers getting too hoppy, I decided I needed to brew something that would show that hoppy beers are not all about bitterness - and then write a blog post about. Oddly enough, about an hour later I popped open something in my fridge that turned out to be exactly this. In a rare instance of social media inspiring me to write something, I've suddenly been handed an opportunity to talk about hops.

Jazz & Me - Part 8 - The "Me" part of "Jazz & Me"

My story about jazz and me has been more about jazz than about me. If you’ve made it this far, perhaps you’ve asked yourself why a person would dedicate this much effort into studying music without wanting to make it. It’s a question I’ve asked myself as well. So after years of thinking about all this and months of trying to figure out how to write it, I tried to put a proverbial coda on all this modal contemplation.

I bought a bass.

Jazz & Me - Part 7 - The New Sherriff in Town

Jazz’s evolution toward rock fusion naturally generated a backlash among musicians, but none were more damning that a young New Orleans trumpet player named Wynton Marsalis. A rising star in the 1980s who played with Herbie and Wayne while also showing impressive talent as a classical musician, Marsalis led a revival of the traditional jazz as it was known between the early swing days through the bebop era and into the 1960s.

Jazz & Me - Part 6 - The Twilight of Modal and the Dawn of Fusion

A musician doesn’t owe eternal allegiance to any style of genre of music any more than a listener is required to pay lifelong obeisance to any artist. This tends to generate cantankerous outrage among fans who accuse musicians of “selling out” when the fact is they simply wanted to do something different. It’s one thing for a fan to fall so head-over-heels for an album that they listen to almost nothing else for weeks on end, but it’s quite another to be that musician who has to eat, sleep, breathe and dream those same songs for months or years on end.

Jazz & Me - Part 5 - Wayne Shorter

It’s rare that a musician’s most famous song is also one of my personal favorites. Wayne Shorter’s Footprints is one of those unusual exceptions. The intro bars on the bass sets up an ethereal and enigmatic calm that I find a constant in Wayne’s music.

Jazz & Me - Part 4 - Herbie Hancock

I was listening to Herbie Hancock a full two decades before I knew who he was or what jazz was.

Herbie in 1983 wrote the chart-topping hit Rockit that was one of the first radio singles to use turntable scratching. When I was eight years old, Top 40 radio stations were so into this song that I probably heard it four or five times a day. It wasn’t until a few years ago that I realized the song came from a piano prodigy who by his early 20s had composed some of the most ground-breaking jazz that the genre had seen. 

Jazz & Me - Part 3 - McCoy Tyner

Isa and I got married on a beach in a small town in eastern Venezuela in 2005. We did the whole thing on the cheap largely because we did almost everything ourselves – from sewing the tablecloths and writing the ceremony to figuring out the menu and choosing the music. I spent a day with my brothers burning CDs (that’s right), including one with a selection of jazz. This was long before I began this informal study of jazz, but two of those songs were by my now-modal-hero McCoy Tyner. The first was this one, called Contemplation: